Slipping Into The Unknown by Ines

Slipping Into The Unknown like

by Ines

Price:: €10.99



1	play	Add to Playlist	Making movies in Hollywood	5:20	€1.19	Buy Share This Song like
2	play	Add to Playlist	Sitting by the river	4:12	€1.19	Buy Share This Song like
3	play	Add to Playlist	In my street	7:12	€1.19	Buy Share This Song like
4	play	Add to Playlist	The spark	3:55	€1.19	Buy Share This Song like
5	play	Add to Playlist	Slipping into the unknown 1	1:56	€1.19	Buy Share This Song like
6	play	Add to Playlist	Who holds the strings	5:05	€1.19	Buy Share This Song like
7	play	Add to Playlist	Dark room Prelude	1:30	€1.19	Buy Share This Song like
8	play	Add to Playlist	Dark room	4:26	€1.19	Buy Share This Song like
9	play	Add to Playlist	Slipping into the unknown 2	2:49	€1.19	Buy Share This Song like
10	play	Add to Playlist	Something is waiting here	4:34	€1.19	Buy Share This Song like
11	play	Add to Playlist	Enemy mine	4:58	€1.19	Buy Share This Song like
12	play	Add to Playlist	I'm in a movie	4:03	€1.19	Buy Share This Song like
13	play	Add to Playlist	Ray, the tambourine	3:55	€1.19	Buy Share This Song like
14	play	Add to Playlist	How I wish that you would stay	5:06	€1.19	Buy Share This Song like

Album Info

"Slipping Into The Unknown" shows a spectrum from the beginnings of art rock to modern sounds. Keyboard sounds ranging from Mellotron to Hammond organ, which one usually associates with the early Seventies, stand side by side with contemporary drum loops and orchestral arrangements. In a folky style, flute and hurdy-gurdy are introducing the first song to be immediately pushed into the vocals of Boris Huzak’s deep voice. Italian progressive rock singer Chicco Grosso takes over the main vocal part then, while in between Christoph Pelgen (Adaro) comes in to sing on the track "The Spark". Yet, the emphasis is still on well arranged song structures without conforming to mainstream clichés. So it is possible that a single song contains three different keyboards soli. But why not – Ines Fuchs is under no pressure whatsoever to conform to existing structures. "When I compose, I follow images which I try to realize in a musical way. And that’s the way the kind of musical spectrum, which is typical for me, comes into being. I like to explore and broaden the frontiers of my music over and over again. And the progressive music of the Seventies is the perfect basis for my work." (Keyboardist Ines Fuchs, 2002) And so you can find within this album, as for the whole musical work of Ines, some references to keyboardist and composer Tony Banks of Genesis. Her husband Hans-Jürgen Fuchs writes quite some song lyrics. The main theme of the album is "creativity". As a central theme, the lyrics deal with the emergence of creativity as well as its realizing in the public world. Another thematic aspect is the relationship between creativity and existing success, the pressure of expectations, and the fear of failure resulting from it. Line-up: Ines Fuchs - keyboards, accordeon, piano, vocals, backing vocals / Bosis Huzak – vocals / Chicco Grosso – vocals / Christoph Pelgen* - bagpipe, tin whistle, vocals / Hansi Fuchs - guitars, saz, backing vocals / Davide Piai* - bass, chapmann stick, backing vocals / Marco Michieletto – drums / Massimo Michieletto - electric guitar / Gudrun Walther** – violin / Jochen Knapek – sitar / Konstanze Kulinsky* - hurdy-gurdy // * of Adaro / ** of Cara Ines Discography: - Hunting the Fox (1994) - Eastern Dawning (1996) - The Flow (1999) - Slipping Into the Unknown (2002)

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